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n April 4-a few weeks
after Christopher Cahill put down his mike as an annual commentator
on the St. Patrick's Day parade for NBC (last year he garnered an
Emmy nomination for his performance)-his attentions were devoted
to another feast of Hiberniana.
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| Professor
of English Maureen Waters reading from her memoir at the inaugural
event of the CUNY Institute for Irish American Studies. |
As director
of CUNY's new Institute for Irish American Studies, he assembled
a dream cast of Irish-American writers on April 4 at Proshansky
Auditorium in The Graduate Center to inaugurate the Lehman College-based
Institute, which is the first ever to be devoted specifically to
study of the Irish diaspora in the U.S. On May 11, the Institute's
first symposium focused on the heart of its mission with an all-CUNY
discussion on the Lehman campus of "A Redefinition of the Irish
Diaspora."
Cahill, who also edits The Recorder, the journal of the Irish American
Historical Society on 5th Avenue, felt the literary emphasis of
the Graduate Center festivities was apt: "One of the most enduring
cultural contributions of Irish-Americans has been their love of
language and their gift for story-telling. . .This newest generation
of writers continues to foster that tradition."
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The newest
generation was represented by Karen Duffy, whose first novel, Model
Patient: My Life as an Incurable Wise Ass, appeared last year. Older
hands were the high-flying poet (and Lehman English professor) Billy
Collins, the NYPD officer (stationed in the South Bronx) and author
Marcus Laffey, and the well-known writer and historian of Irish
America Peter Quinn. Completing the sextet of scribes were Queens
College Professor of English Maureen Waters, the author of a critical
study titled The Comic Irishman, and novelist and short story writer
James McCourt, whose most recent novel, Delancey's Way, has been
praised by Harold Bloom and Susan Sontag. The funniest novel about
opera fan-dom ever written, Mawrdew Czgowchwz, is also to his credit
(note the similarity of the title character's initials to those
of a famous diva).
Particularly pertinent, given the Institute's Bronx home, was Maureen
Waters' reading from the narrative of her childhood there, Crossing
Highbridge: A Memoir of Irish America, forthcoming from Syracuse
University Press. An excerpt from it is offered here. For further
information on the Institute and its events and programs, visit
its Web site (www.lehman.cuny.edu/irishamericanstudies/) or call
718-960-6722.
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